How a Chandela masterpiece was lost to the jungle and misread by the world
Almost every building in the world is made the same way. You start at the ground and stack things up: brick on brick, stone on stone, floor above floor.
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Some of India’s greatest monuments were made the opposite way. Their builders did not stack anything at all. They took a whole mountain of solid rock and carved everything away that was not the temple, cutting downward and inward until a shrine stood where the stone had been. Nothing was ever added. Everything was only taken away.
That is the strange, patient art called Indian rock-cut architecture. And its three greatest sites, Ajanta, Ellora and Elephanta, still keep a few of their secrets.
Ajanta had sat hidden in plain sight for roughly a thousand years, until a hunting party rediscovered it in 1819.
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Painting in the dark
The mountain that became a temple
If Ajanta is about painting, Ellora is about sheer nerve. At its heart stands the Kailasa Temple, and it may be the boldest thing ever carved from stone.
The Kailasa Temple was carved from one rock, from the top down. Workers removed an estimated 200,000 tonnes of stone, and by some counts far more, to free a temple larger in area than the Parthenon.
It was built to stand for Mount Kailash, the Himalayan home of Shiva. The builders did not raise a mountain to the god. They turned a mountain into one.
Three faiths on one cliff
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If you think you have rememberd everything about this topic take this QUIZ
Results
#1. According to the text, what is the primary symbolic function of the temple’s outer walls, which feature carvings of daily life, war, and desire?
#2. The architectural design of the Khajuraho temples, with a main tower surrounded by smaller ones, is intended to visually evoke what natural or mythical feature?
#3. Which Khajuraho temple is noted for being the oldest, built from granite instead of sandstone, and having a unique rectangular layout?
#4. What common misconception about the Khajuraho temples does the ‘10% Rule’ mentioned in the text address?
#5. The architectural style of the Khajuraho temples, characterized by its soaring towers (Shikharas) and high platforms (Jagati), is known as what?
#6. The Kandariya Mahadeva temple is considered the largest and most ornate temple at Khajuraho. To which deity is it dedicated?
#7. What is the name of the dark, cave-like inner sanctum of a Khajuraho temple that houses the main deity?
#8. Besides the pleasant weather, what major cultural event makes February a particularly good time to visit Khajuraho?
FAQ
Why are there erotic sculptures on Khajuraho temples?
They represent Kama (desire) as one of the four goals of life in Hinduism, alongside Dharma, Artha, and Moksha. They also symbolize the “outer world” of illusion (Maya) that one must leave behind before entering the inner sanctum.
Who built the Khajuraho temples?
They were built by the rulers of the Chandela Dynasty between 950 and 1050 CE.
How many temples are there in Khajuraho?
Originally, there were 85 temples. Today, only roughly 23 to 25 temples have survived natural elements and destruction.
Is Khajuraho a UNESCO World Heritage site?
Yes, the Khajuraho Group of Monuments was inscribed as a UNESCO World Heritage Site in 1986 for its outstanding architectural and artistic value.
Sources and references
- Encyclopaedia Britannica and UNESCO World Heritage listings (Ajanta, Ellora, Elephanta) — the subtractive rock-cut method, the basalt of the Deccan, the span from roughly the 2nd century BCE to the 10th century CE, and the World Heritage status of all three sites.
- Google Arts & Culture (Archaeological Survey of India, “Vignettes of Ajanta & Ellora”) — Ellora’s caves shaped top-down from monolithic rock, the volcanic basalt formation, and the fact that Ellora, unlike Ajanta, was never lost to memory.
- Reporting and histories of Ajanta (mystic/heritage accounts) — the 1819 rediscovery by British officer John Smith while hunting in the Sahyadri hills, the horseshoe gorge above the Waghora river, the two building phases, and the Vakataka patronage.
- My Modern Met, India Legacy and Kailasa Temple studies — the Kailasa Temple attributed to Rashtrakuta king Krishna I in the 8th century, the top-down excavation, the estimate of 200,000 to 400,000 tonnes of rock removed, and its size compared with the Parthenon.
- Original Curious Indian article (“Ancient Secrets of Indian Rock-Cut Architecture”) — the Ajanta murals painted using reflected light, the pigments including lapis lazuli from Afghanistan, the tempera-on-dry-plaster technique, the Elephanta Trimurti and its damage by Portuguese soldiers, and the side-by-side faiths at Ellora.
- General studies of Indian art and architecture — the Jataka-tale subjects of the Ajanta paintings, the decline of rock-cut work after the 10th century in favour of structural temples, and the unfinished Ajanta cave that reveals the excavation method.
